This unusual documentary is an interesting tale of Kurdish
celebrity, mixing doc footage, scripted scenes and reconstructions of past
events. It cuts between the life of
pilot Nuriman and singer Helan (aka Helly Luv), recently returned to Kurdistan
from Finland where her family fled during her childhood.
It’s a charming film, and a different take to what you might
expect to a film about a place looking after thousands of refugees and with the
fight against ISIS creeping into view as the film progresses. But instead of
focussing on the dark and tragic, the message here is of unusual characters
seeking achieve their dreams and serve their people by inspiring them against
the odds.
The best sections are undoubtedly those about indefatigable
pilot Nuriman, whose determination and geniality stop their being anything
laughable about his slightly madcap schemes – this is a man who first gained
fame in Kurdistan by building a homemade plane and being a self-taught pilot,
in order to fly to visit a long lost love in Iran during the Iran-Iraq war –
and surviving! His spirits are a little lower after a plane crash during an
election stunt, but he is determined to inspire refugee kids by building
another plane with them and teaching them the basics of being a pilot. His
journey is wonderfully and affectionately told.
The mixture of recreated scenes and documentary worked
slightly less well on the scenes about singer Helan, as they had a bit of
reality TV feel rather than the more sincere tone of a documentary and the
contrast between her current showbiz life and the harshness of her childhood
sometimes jarred rather than strengthening the power of each story by providing
contrast to each other. It might not have helped that her story opens with her
scavenging and borrowing AK47s, a lion and some Kurdish refugee children from
Syria. It turned to be for a music video, but it was a very unnerving start! But
Helan also shows an indefatigable spirit and it is hard not to warm to her
eventually.
This is a film trying to show the power of the belief of a
people without their own state through two very individual characters and maybe
occasionally overdid the national pride rather than being fully objective. But
it is understandable give the context of the film as the consequences of the
conflict in Syria and the rest of Iraq spill over into Kurdistan and the Peshmerga
organise to fight back. All in all this is a different and interesting look at
Kurdistan and a portrait of a place growing in confidence and success just
before calamity starts to seep through its borders.
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