In the Bulgarian film The Lesson, teacher Nadya tries to
play by the rules, but unfortunately for her, this means she always seems to be
the loser. Quite reasonably, she feels
like since she does what she is supposed to be, she deserves to keep some
semblance of pride and dignity, but still the world doesn’t seem to want her to
catch a break.
The Lesson is quite a slow film, with a slight over reliance
on long scenes of mundane life that maybe didn’t add as much as they could
have. The opening scene has a promising sense of discomfort and unease, but the
film doesn’t quite hold the tone and becomes a little more staid and static.
The one thing the pacing did do was intensify the most dramatic scenes, but it
perhaps could have done with a bit more impetus at times to really grip the
audience. I’m not sure the documentary
style, hand held camera work helped, as it gave the film a restless feeling
which didn’t quite match the content.
Black humour sometimes broke through, and had this been more prominent,
the film could have been a little more compelling.
What it really does have going for it, and what means the
film does hold your interest enough, is an excellent central performance. Margita Gosheva as Nadya does a great combination of
patience, stoicism and politeness in the face of the world trying to knock her
down, that is genuinely credible and empathetic. She has an optimism and faith
in the fundamental reasonableness of other people but at the same time you get
a convincing sense that there is something ready to burst out just under the
surface. It is this characterisation and
performance that keeps the audience rooted in the film as you do genuinely warm
to Nadya and want something, anything, to come through for her. Some of the
most interesting schemes are when she does break out of her placidity and try play
the world back at its own game, just a little, but always without enough
conviction so that it backfires on her. You get the sense that maybe she isn’t
ready to be a rule breaker.
Nadya is a more memorable character than The Lesson is a
memorable film, which is at its best as a character piece. It has some moments
of genuine drama and tension and an interesting surrounding cast meaning I did
hold my interest and enjoy it as a film. But perhaps it just needed to pack a
bit more of a punch or find a bit more of a distinctive feel or style to really
elevate it to something special.
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